In this exhibition, threads of cloth and memory intertwine to tell stories too often overlooked. This project doesn’t turn its gaze towards professional artisans but instead towards the homemakers of Birbhum. They are not trained weavers or embroiderers by trade; they are mothers, daughters, and wives, sewing in quiet domestic spaces for their families. Historically, these women created kanthas not for sale but for their own use, stitching warmth and care into everyday objects. This project is more than an exploration of ‘craft’. It is an excavation of memory and presence. The artists - Himangshu Sarma, Rabiul Khan, Ritushree Mondal, and Surajit Mudi, - are not merely facilitators but collaborators, engaging with these women to create what they call a ‘pedagogical site’. It is a place of mutual learning, where the process of making becomes a dialogue, not only between artist and homemaker but between past and present, self and community.