Leila Danziger is a Rio de Janeiro-based artist, poet, and researcher, currently lecturing at the Institute of Arts, Rio de Janeiro State University. Her work delves into the printed page—newspapers, books, and historical documents—exploring the tension between micro and macro histories, familial memories, and narratives of extreme violence. Utilising various media, including printing, photography, video, and installation, she engages with themes significant to contemporary society. Among her notable projects are Public Diaries, a series that employs selective wipeouts of news articles, and Emigrant Ship, a tribute to Lasar Segall linking the refugee crises of World War II to present-day challenges in immigration. Danziger has held solo exhibitions at prominent venues such as the Museu Judaico de São Paulo and the Caixa Cultural Centers, and her work has been included in various international group shows. She has also authored several collections of poetry and books.
The early 19th-century travel writer, Maria Graham, stands at the centre of the Lands, Real and Imagined: Women Artists Respond to the Art & Travel Writings of Maria Graham (1785–1842) exhibition, along with her four published travel journals of India, Italy, Brazil, and Chile, and her comprehensive history of Spain. The written and visual documents Graham produced in response to her travels, including her detailed and often farsighted observations about the lands and peoples she encountered, continue to be important foci for scholarly research that dwells at the intersection of gender, travel writing, and culture.
The five accomplished women artists who were invited into this exhibition project—Kavita Shah, India; Francesca Genna, Italy; Leila Danzinger, Brazil; Isabel Cauas, Chile; and Paula Bonet, Spain—collectively respond to Graham’s distinct “gaze” on their own countries, while also providing their individual perspectives on her writings, her visual art, and her extraordinary range of disciplinary interests. The breadth and sensitivity of their responses also illuminate the complex trajectory of Graham’s personal as well as professional growth, as she lived and learned from her travels. The exhibition made its debut at the Fisher Gallery at Otterbein University in Westerville, Ohio from February 1–July 15, 2022 and is the result of a three-year creative collaboration supported by the scholarly research and curatorial expertise of Drs. Patricia Frick (Professor of English) and Janice Glowski (Art Historian and Director of The Frank Museum of Art and Galleries) at Otterbein.
