Arts Acre

The idea behind ArtsAcre was to establish an institution dedicated to nurturing young artists in the field of visual arts. On 3 March 1984, sitar maestro Pandit Ravi Shankar laid the foundation stone of a dream called ArtsAcre on a small plot of land in Gopalpur near the Irport.Inspired by artists commune prevalent in more developed parts of the world, ArtsAcre began as an Artists’ Village where visual artists from all streams lived and worked together, fostered by a community feeling. Gradually it crystallised into an institution of national standing. The campus became a haven for budding artists and a meeting point for men of letters. Its modestly-built original campus was inaugurated on 11th January 1987 by Nobel laureate Gunter Grass with an exposition of his drawings. The flame of enthusiasm that led to the first embodiment of ArtsAcre was rekindled in the early part of this century. The old dream acquired new wings with the desire to present an art facility of global standard to our beloved city. That expanded vision emerged as an enhanced and enlarged embodiment with our new spacious campus in New Town. The rechristened ArtsAcre Museum of Bengal Modern Art and International Centre for Creativity and Cultural Vision was inaugurated on 6 March, 2014 by Smt. Mamata Banerjee, honourable Chief Minister of West Bengal, in the presence of luminaries from across India like Mahashweta Devi, Dr. Karan Singh, Dr. M. Balamuralikrishna, PanditBirjuMaharaj, Anjolie Ela Menon and others, witnessed by an august gathering of connoisseurs from all walks of life, punctuated with a lyrical presentation replete with music and poetry. The flame of enthusiasm that led to the first embodiment of ArtsAcre has been rekindled. The old dream has acquired a new life. The concept has dream global attention and emerged afresh as a new enhanced and enlarged embodiment. A space where art lovers will experience a landscaped island of tranquility. Where the Painter’s brush and palette will result in meaningful fruition. ArtsAcre will be a lifeline for those who believe in art and feel for it. Designed by visionary architect and urban designer Partha Ranjan Das. ArtsAcre is a self-complete mini-city for artists and art lovers. A world-class integrated arts facility, ArtsAcre is an international centre for creativity and culture vision.

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Exhibitions

Hridaypur (Heartland)

In Pradip Das’ Hridaypur, place and memory dissolve into one another, making Naktala more than just a location—it’s a repository of lives disrupted by migration. Naktala is an embodied ‘Desh’, a homeland imagined through the minds of Bengali refugees who fled East Bengal after the 1947 Partition, forced to re-root themselves in foreign soil. Das presents not the literal landscape of Naktala but its psychic echoes. Through his lens, we see the invisible histories of a community navigating loss, reshaping identity, and preserving their past in fragments that defy conventional historical records...

A World on the Brink

The boundaries that once contained Chandra Bhattacharjee's thoughts have dissolved, and his work seems to breathe with a newfound freedom. There is an openness as if the familiar inhibitions have loosened, and in that loosening, the paintings themselves have expanded, no longer confined by the edges of the canvas but spilling into a broader space...

Beyond the Frame: Shanu Lahiri’s Art of Transformation

Shanu Lahiri’s life and work embody a quiet rebellion against the conventions of art and the societal structures that define its audience. For her, the canvas was never confined to the studio; it extended into the streets, onto walls, and into the lives of people. Rejecting the exclusivity of the gallery, Lahiri embraced radical inclusivity; engaging communities often left out of the aesthetic discourse of the city...

Kitsch from Kirnahar: Jyotirmoy De’s Stitched Vision

Jyotirmoy De creates vibrant textile artworks that stitch a vision of village life (...), where kingfishers, butterflies, hornbills, fish, cats, and boys playing cricket jostle within densely layered compositions. Drawing from Kala Bhavana’s pedagogy and his training at M.S.U. Baroda, De collaborates with local women from his native Kirnahar to craft works that critique the rapid transformation of his rural surroundings. Instead of traditional earthen homes, monumental buildings and construction dominate the backgrounds of many pieces, with a burst of colours that hints at the erosion not only of his village’s natural and cultural order but also of a simpler, more authentic aesthetic (...).

Anka-Banka Jomi/ Winding Terrain

Jayashree Chakravarty’s Anka-Banka Jomi or Winding Terrain is (...) an evocative exploration of time, space, and memory, articulated through the immensity of scale and tactility of material. Spanning 55 feet in length, this work—a scroll— invites viewers to navigate a landscape not in one sweeping glance, but step by step—mirroring the meandering rhythms of nature itself (...).

Between Reality and Illusion: Shuvaprasanna’s Reflections on Bengal

Shuvaprasanna’s art delves deeply into Bengal’s historical, cultural, and emotional landscapes, interlacing themes of suffering, resilience, and the fragile interplay between reality and perception. This representative show captures his decades-long artistic journey, where his works become deeply introspective meditations on the human condition, often through the lens of illusion and ambiguity...