Bappaditya Biswas’ exhibition unfolds within the evocative setting of the prisoners’ weaving room at the Alipore Museum. Once a site of mandatory labour imposed under colonial rule, this space - now housing handlooms and clay models of prisoners at work - serves as a powerful backdrop for an exhibition that interrogates notions of freedom, resistance, and reinvention. The exhibition draws deeply from Bengal’s indigo history, particularly the oppressive colonial policies tied to plantations along the Ichhamati River and other waterways. Once stained with suffering, the riverbanks and fields now stand as enduring symbols of resilience and collective defiance. Interactive elements transform the audience from passive observers into co-creators. Examining handlooms, touching samples, dyeing, and tying patterns, visitors inhabit the act of making. The exhibition reclaims colonial narratives of exploitation and transforms them into acts of resilience and creativity. It becomes a space where memory meets reinvention, tradition converges with innovation, and the roles of artist and audience blur into a shared act of creation.