A house built in 1968, with Roman arches and patios, stands quietly here in Santiniketan. At its inception, this house mirrored the expanse it inhabited—the Khoai’s undulating void, the serpentine flow of the Kopai River, and the stretch of open skies that seemed infinite. The house and the land conversed then, each shaping and reflecting the other. Today, images of the house taken in 1968 seem like fragments of another reality. The geography has been transformed, and with it, the relationship between the built and the natural has been severed. This conflict—the rupture between what land was and what it has become—lies at the heart of Sanchayan Ghosh’s exhibition. Through a decade-long collaboration with farmers, poets, musicians, and academics, Ghosh upcycles the land as a living entity, insisting on its stories, scars, and silences.