Henri Cartier-Bresson

Henri Cartier-Bresson was a visionary photographer whose mastery of the medium established photojournalism as an art form. A painter at heart, Cartier-Bresson’s early fascination with Surrealism blossomed into a lifelong exploration of the defining elements of the human experience. His serendipitous encounter with the Leica camera in 1932 ignited a passion that would lead to a revolutionary approach to photography—capturing ‘the decisive moment,’ that magical instant when the world crystallises into significance. During World War II, Cartier-Bresson’s indomitable spirit served him a harrowing escape from a German prison camp, leading to his documentation of the Liberation of Paris in 1945. His lens, wielded with quiet intensity, revealed profound truths about the human condition, as he chronicled the intricacies of life across continents and cultures. In 1947, alongside luminaries like Robert Capa, he co-founded Magnum Photos, a cooperative that championed authentic storytelling through visual artistry. His seminal work, Images à la sauvette (1952), encapsulated his philosophy—photography as a tool of intuition, a sketchbook that captures the ephemeral beauty of reality. His influence reached far; he inspired generations to see the world through a lens that sought simplicity and depth in spontaneous occurrences. In his later years, he returned to drawing, yet the legacy of his eye—an unwavering commitment to capturing life’s essence—endures, immortalised in countless frames that bear witness to our shared humanity. Cartier-Bresson left behind an oeuvre that continues to resonate with artists and admirers alike.

In Henri Cartier-Bresson's photographs, we witness a rare glimpse into the secluded world of Sri Aurobindo Ashram during his visit in 1950. These images capture an almost timeless quality of devotion, spirituality, and introspection, each framing a delicate balance between the personal and the universal. Bresson's access to photograph the ashram, granted only after much persuasion, allowed him to document intimate scenes that reveal both the spiritual ambience of the place and the quiet charisma of its leaders, Sri Aurobindo and The Mother.(..)

– (excerpt) Curator’s Note; In the Presence of the Eternal: Henri Cartier-Bresson at Sri Aurobindo Ashram

Victoria Memorial Hall

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Nov 29, 24- Dec 8, 24

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